My work uses absence as an active material. I begin with familiar forms and shift or reduce them until their underlying structures become visible. I am interested in the moment when something feels immediately recognizable, but then subtly transforms into more of a symbol than a singular object.

By removing or disrupting what is expected, the work asks how meaning is constructed. A pedestal can become a seat, a painting can become an object, and what is missing can become the subject itself.

Lee earned his BFA from Millikin University in 2002. His work has been exhibited internationally, including Chicago, New York, Miami, Atlanta, Paris, and Brisbane, with public works installed across the United States, Europe, and Japan.